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February 5th, 2008


10:12 am - Why is this day different from all other days?
I'm sure I've posted this before, but it bears repeating. This is from the late Phil Johnson, of WWL-TV:

Transcribed from broadcast.com video archive from the 12 noon newscast; Lundi Gras (Monday, Feb 15, 1999)

And what is there to talk about
except that which everybody else is talking about?
Of course -- Mardi Gras.

It’s that time again.
That wonderful, crazy, colorful, crowded, happy, mixed-up, but glorious time

When all New Orleans forgets itself for a day, lets its hair down,
puts on a rubber nose, a funny hat and walks around laughing at the
silly people and the crazy costumes.

It’s a day for contrast, a day for change;
a day when legions of quiet, timid, introspective, little men
forsake their neat clerks’ desks,
put masks across their faces,
and suddenly become Don Juan;
a day when a secretary can become queen of England,
a housewife, Annie Oakley.

Mardi Gras is fantasy in a fright wig,
reality with burnt cork on its nose,
a dream with a scepter in its hand,
pompousness about to be punctured.

Mardi Gras is fun, laughter, vulgarity, coarseness, color, light,
and -- at the end – quiet.

Mardi Gras is a state of mind, an attitude, a pose, an opinion.

But at its most basic and perhaps most satisfying of all, Mardi Gras is the one day in the entire year when New Orleans can tell the whole world, “We’re going to have fun.”

And we do.

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February 1st, 2008


03:32 pm - Hermes Friday
Dearborn, Michigan.

They were calling for as much as an foot of snow here today, but we got maybe three or four inches.

And I am in Michigan this weekend, not in Louisiana.

Either of these are sufficient reasons for the pot of red beans on my stove.

(Because they say that the way to overcome blogger's block is just to blog, and not try to summarize the missing 5 months. So here we go.)
Current Music: Marcia Ball, Right Tool For The Job

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September 3rd, 2007


06:30 pm - Back
What, no one else observed three months of blog silence in honor of Mike the Tiger?

Um, well, I didn't either. Summer happened. And trying to kick out some work on the book before the sabbatical ended. And trips and packing up and leaving Montgomery and driving the big U-Haul. Oh and watching Anderson Cooper on August 29 and nobody else.

Also, I've been spending some time in Second Life, one of those Virtual Worlds you hear so much about. it's amazing and engaging and perhaps just a little addictive. I’m thinking about ways to use it in classes this year. Here is my avatar, Rudolfo Woodget, in one of his favorite places in SL, the Big Easy, a recreation of several blocks of the French Quarter.

Quarter rooftops, Big Easy, Second Life

The Big Easy was built in Second Life soon after Katrina, as the centerpiece of fund-raising efforts. Sectons of it are quite compellng, including an SL Preservation Hall where you ARE the band.

Preservation Hall, Big Easy, Second Life

And so I’m back in Dearborn, a hundred yards from where John and I lived for 13 years before. And he's down South, and we'll have to find a way to get through this year and end up in the same place again. Thanks to those friends, both in RL and SL, who thought good thoughts and helped me make the trip up safely. And thanks too, to Cher, who helped get those last 25 boxes of books off the truck. Because really, there’s nothing a gay man of a certain age can’t accomplish when Cher is singing “Believe” and “Strong Enough” on his iPod, nothing. And if I told you that the iPod chose to play "Strong Enough" just when I was unloading the box of Katrina books, well, you wouldn’t believe me.
Current Mood: complex
Current Music: Cher, If I Could Turn Back Time [Live]

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May 19th, 2007


02:04 pm - sad news
Mike the Tiger (the 5th of his line) has died at age 22.

I’m sure that a vigorous debate will ensue over the ethics of keeping a wild animal in captivity for reasons of school spirit — and even surer that sentiment (and big booster dollars) will prevail and Mike VI will be roaring in Death Valley this fall.

Certainly the animal rights folks have some valid arguments to make. But he’s a tiger. In a football stadium. And nobody else has that.

(And on November 15, 2008, they should open his cage and let him chase Nick Saban around the field..)

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May 17th, 2007


11:19 pm - the Motor City, again
Somewhat to my surprise, I realized today that I’ve missed Detroit in more ways than I had imagined. Of course, the city is easier to love when it’s not covered in ice and dirty snow. And the thought that one needs one’s winter wardrobe through May remains a daunting fact of life here. Given that I’ve spent more of my life (13 years) here than anywhere else (second place, New Orleans, 9 years), I guess it’s good that I do have some pleasant associations with the place: the Middle Eastern neighborhoods of Dearborn (Cedarland takeout for dinner tonight), the industrial theme park that is the Ford Motor Company campus all along the Rouge, the enormous decaying (and reviving?) concrete forest of downtown, the setting sun igniting the Great West Window at the Cathedral.

John and I walked past our old apartment this afternoon. Odd to see new furniture through the windows and a satellite dish on the balcony. Odd to think about all the changes since we first moved in there in 1993, in the first months of the Clinton administration.

I guess I've been lucky in enjoying all the places I’ve lived (if not every apartment): there are still moments when I miss Chapel Hill or Los Angeles desperately. I think that the only place that I wouldn’t eagerly move back to is Slidell, although that was a good place for our teen-age years to unfold.

Detroit isn’t easy to love; that’s part of its character, I think. It has been difficult to live up to the grand civic plan of parks and avenues laid out like a pioneering District of Columbia out here in the Northwest Territory; the neo-classical geometry of angles and arcs articulating the vacated dreams at the foundations of the crumbling ruins that mark the cityscape. Pioneers, visionaries, tinkerers with machines, sports nuts — such is our heritage. Although I don’t strongly indentify with any of those groups, I have grown accustomed to their faces.

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May 16th, 2007


06:57 am - Antarctica
I’m driving up to Detroit today for the 2007 Computer and Writing conference. My paper, “When MySpace is OurSpace” looks at some of the issues in developing a course on social networking, particularly the issue of using social networking to explore social networking. Some of the approaches are obvious (everyone keep a class-related blog and link/comment on your classmates’ blogs); others are dicier: what kind of research can/should students do using their own MySpace accounts? should I set them loose on editing Wikipedia?

It looks like it will be a little cooler there than in Montgomery. John suggests I bring something called a “sweater.” I remember hearing about those: perhaps I owned one or two in a past life?

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May 15th, 2007


09:40 pm - Ding, dong
And the little people add their condolences (courtesy of Americablog). Caution: some bad language


Current Music: Disturbed, "Liberate"

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01:36 pm - And you ain’t there, Jerry
ROY: What’s is like? After?
BELIZE: After . . . ?
ROY: This misery ends.
BELIZE: Hell or heaven?
(Roy stares at Belize, as in “What a stupid question.”)
BELIZE: Like San Francisco.
ROY: A city. Good. I was worried . . . it’d be a garden. I hate that shit.
BELIZE: Mmmm.
Big city, overgrown with weeds, but flowering weeds. On every corner a wrecking crew and something new and crooked going up catty-corner to that. Windown missing in every edifice like broken teeth, fierce gusts of gritty wind, and a gray sky full of ravens.
ROY: Isaiah.
BELIZE: Prophet birds, Roy.
Piles of trash, but lapidary like rubies and obsidian, and diamond-colored cowspit streamers in the wind and voting booths.
ROY: And a dragon atop a golden horde.
BELIZE: And everyone in Balenciaga gowns with red corsages and big dance parties full of music and lights and racial impurity and gender confusion.
(Roy laughs, softly delighted.)
BELIZE: And all the deities are creole, mulatto, brown as the mouths of rivers.
(Roy laughs again.)
BELIZE: Race, taste and history finally overcome.
And you ain't there.
ROY (happily shaking his head “no” in agreement): And Heaven?
BELIZE: That was Heaven, Roy.

Tony Kushner, Perestroika III:v

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May 10th, 2007


01:17 am - the state of the city
If you’re a New Orleanian (in any form or fashion), you know this. If you’re not, you’re probably tired of hearing it. Tough: I’ll keep saying it. Things are still broken. Four of the five stories on the front page of the T-P this morning are storm-related. Only one is possible good news: the new head of the Recovery School district is some kind of super-hero. One is a wash: The highly ineffective Road Home Program has decided to stop TV advertisements touting its success. Two are disheartening: the school district seems unlikely to have enough room for all of the 18,000 students they expect to return next year. (So that red cape will come in handy for the new school czar.) And worse yet, the levees are still a disaster, in some cases, unlikely to withstand even a Category 2 storm.

Friends are discouraged at the slow recovery, the depth of the ineptitude, the difficulty of seeing any meaningful change anytime soon, at the continuing difficulty of doing just anything. And these are people who love the city, who revel in a sunny JazzFest afternoon in the same breath as they complain about how it's not as much fun as it used to be; people who are painfully susceptible to the magic of a New Orleans dusk —

RoyalDusk

— and you can tell it’s tearing them up inside to say out loud, ”I want to leave. . . ”

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May 5th, 2007


11:32 pm - Fest
Finally, I can say that I’ve been to JazzFest. Despite all my worries and all my friends’ complaints about how it isn’t as good/cheap/local/uncrowded as it was 30 years ago, I did have a very good time. But I think today will be all for this year. Two days back-to-back might be pushing things a bit, particularly with the Baton Rouge commute factored in.

On advice of counsel, I began the eating day with the combo plate of crawfish beignets, a crawfish sack, and an oyster patty. (There was no line at 11:05.) As tasty as this is, its real benefit is as a way to meet new people: each plate draws a minimum of 7 queries of “What is that?”

I had the crawfish bread, too, and I do understand why it is part of a traditional JazzFest diet, but — not the high point of the day.

A brief transit of clouds provided the pretext of coolness needed to try the heralded quail, pheasant, and andouille gumbo, which was indeed spectacular, even on a warm afternoon. It's by far the best of the Cajun-side gumbos I’ve ever had, and even makes the others better by demonstrating what they want to be.

The WWOZ mango freeze was a pleasant change after the gumbo, even eaten standing up in the Gospel Tent.

I’m in agreement that the andouille calas were the real treat of the day. Of course I always love finding something traditional like calas on the menu, and the savory variation was pleasing in all kind of ways. Chuck Taggart of The Gumbo Pages also gave them a rave review (and posted a picture) last year.

Andouille calas, Chuck Taggart Photo: Chuck Taggart

(Oh, and somewhere along the way I had the catfish almandine, also a treat! I can”t compare it to Galatoire’s since that somewhere else I haven’t been. Oh, the shame!)

Since I didn't finish my local’s list (maybe I wasn’t supposed to try it all in one day, Counselor?), I didn't have the chance, alas, to pursue the excellent suggestions from Up North. I’ll have to get an earlier start next year!

Iko Iko

And there was music: old-line jazz from the New Orleans Jazz Vipers and Dr. Michael White’s band in Economy Hall. The Dixie Cups keeping it real lo, these many years and making the case that they are not, in fact one-hit wonders. And yet, watching them bust out “Iko Iko” like they did 40 years ago, up from the Calliope projects, brought tears to my eyes, thinking about all that has passed since then. I made several trips to the Gospel Tent: for the Franklin Avenue Baptist Church Mass Choir, 60 or 80 strong despite the diaspora of their members, for the fabulously raucous gospel brass band Elder Edward Babb and the Madison Bumblebees (with 12 trombones!) and the incomparable Irma Thomas saluting, nay, channeling Mahalia Jackson:

Soul Queen

Irma’s white dress started up top like an elegant evening gown and somewhere along the way blossomed into a choir robe, in case there was any doubt that she was taking us to church. The tent was packed to the gills and beyond (as one security staffer quipped, “I didn’t know they were giving away government cheese!”) and Thomas set the place alight with fiery praise songs and heartfelt ballads that had us all clapping, dancing, raising our hands, and weeping, sometimes all at once. No one should ever be allowed to sing ”Precious Lord” again; they should retire it in memory of this performance. Transcendent.

Those were the highlights for me; there were also African brass bands, and local brass bands, and Mardi Gras Indians, and zydeco and Southern good-ol-boy rockandroll, and of course so many other acts I didn't get around to.

I will not wait 38 years to go again, I don’t think.
Current Mood: [mood icon] tired
Current Music: Irma Thomas in my head

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April 30th, 2007


10:23 pm - If food be the love of music, play on!
I’ve about decided to head down to Louisiana to catch at least a day of Jazz Fest. (Since I’ve never been -- oh, the shame!) On the plus side, there’s the music, and I could happily have spent all 6 days there, if music were all. But there are, I have heard, the crowds and the sun and the mud and lines and the parking.

But there is also the food. Merely reading the list of food vendors and their offerings is overwhelming. I’ve copied the full list below. As a public service to the LJ communitiy, I’ll offer to organize my menu around what you wish you were eating at Jazz Fest and report back.

Gentle readers, what shall we eat?

What to eat @ Jazz Fest )
Current Mood: Hungry

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April 23rd, 2007


01:14 pm - A trip South
Still trying to get back on top of things and over my New York cold/Montgomery allergy/yearly asthma thing. Last weekend I made a quick trip to Louisiana. I wanted to see John Biguenet’s play Rising Water at the Southern Rep theater (now extended at least through May 6 -- go see it!). This is one of two plays commissioned by Southern Rep about Katrina, and Biguenet has done an amazing job. The first act is set in an attic to which a husband and wife have retreated from the shock of rising water in their house. “It’s just a leak,” says the husband, because his lifelong job is to comfort his wife and buffer her from the world. Her job, in this play and in their relationship is to see and tell the truth, no matter what. In the panic and confusion and disbelief of this couple, Biguenet manages to reflect the experiences of tens of thousands more. At the same time, he gives a complex and nuanced portrait of these two individuals and their life together. The subtitle of the play is, surprisingly and aptly, “A Love Story.” At the end of the play, we see, through their eyes, how different life will be from here on and what endures.

I also caught a few hours of the French Quarter Festival Sunday afternoon (my first time at the Festival). I see now why people love it so: food, music, people: everything that is beloved by New Orleanianss. One of the food kiosks was run by Tujaque's and I had my first taste of their famous brisket with horseradish sauce and seafood-stuffed mirtilons. Yum! I also caught Charmaine Neville closing out the Jackson Square stage — what an amazing woman. She sang some old songs and some new songs, some funky, some plaintive... and every song, every beat, every note, every soulful anguished wail was a sermon, a testimony, a witness to the slow healing of a wounded city.

Monday, I drove along the Mississippi Gulf Coast for another somber reminder. Almost all of the damaged buildings have been demolished, leaving an eerie strip of desolate parkland. From Pass Christian to Biloxi, there were almost no familiar landmarks: Beauvoir stands, barely; the rusted old boat blown to shore by Camille is (back?) on shore. The economic engins that will drive the recovery are evident: virtually all the reconstruction visible now is casinos and luxury high-rise condominiums.

If I could have one part of the world back the way it used to be, I would not choose Dresden before the firebombing, Rome before Nero, or London before the Blitz. I would not resurrect Babylon, Carthage, or San Francisco. Let the Leaning Tower lean and the Hanging Gardens hang. I want the Mississippi Gulf Coast back as it was before Hurricane Camille, that wicked killer which struck in August 1969. — Elizabeth Spencer

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April 7th, 2007


11:17 am - the theater of joys and the place of sorrows
Here are two more things that inspire me this weekend. The first is also from The Prayer Book Office, this time from the seventeenth century English poet and mystic Thomas Traherne. Traherne’s approach is almost directly opposite to that of Gregory; where the earlier writer sought to humanize the Passion narrative, Traherne tries to capture the transformative and transcendent aspect of the event in a glorious storm of words:
The Cross is the abyss of wonders, the center of desires, the school of virtues, the house of wisdom, the throne of love, the theater of joys, and the place of sorrows. It is the root of happiness and the gate of heaven. ...

The Cross of Christ is the Jacob’s ladder by which we ascend into the highest heavens. There we see joyful patriarchs, expecting saints, prophets ministering, apostles publishing, and doctors teaching, all nations concentering, and angels praising. That Cross is a tree set on fire with invisible flame, that illumineth all the world. The flame is love: the love in his bosom who died on it.

I am tempted to add a (sic) after “patriarchs,” but there you go.

Steeple destroyed
[Where the steeple was, Rayne UMC, November 2005]

The following is from a twenty-first century divine (and family friend), Rev Carol Winn Crawford, who serves Rayne Memorial UMC on St. Charles Avenue, where she has guided the congregation in healing and reaching out with compassion, vision, and an uncommon grace.

We know much about the events of Maundy Thursday, Good Friday, and Easter Sunday. But what about Saturday, the day with no special name, the day on which the body of Jesus lay in the cold sealed tomb, the day on which many churches close and seal their sanctuaries in memory of his burial? That Saturday long ago was a Sabbath day for the ancient disciples—commanded by law to be observed as a quiet day of rest. In the stillness of their homes, did they mourn for Jesus? In the silence of their prayers, did they ask for direction in his absence? Did they agonize about how they would go on, what they would do next? Did they struggle to make sense of all they had experienced? Did they grieve?

Anyone who has suffered a loss and has waited for healing and rebirth knows what a day like that Saturday is like—the day after the funeral, after the mourners have gone home, after the flowers have wilted, after the casseroles have been reduced to leftovers, and you wander from room to room feeling the palpable emptiness of a loved one’s absence. In many ways, the whole of New Orleans is “living on Saturday”—somewhere on the long span that stretches between the tragedy of Katrina and the triumph of our promised rebirth. Just how long will this Saturday last? We do not know. All we can do is trust the promise that even now there is something unseen to our eyes that is happening during this in-between time in the tomb--something revolutionary, something utterly transformative. All we can do is trust that at the end of this longest day, the sun will rise on an Easter Sunday morning, the day will at last break on anopen empty tomb from which a brand new, resurrected life will emerge. This is the promise to which we must hold fast. Join me on Sunday as we sing of this promise that is ours at Easter:

There’s a song in every silence, seeking word and melody;
there’s a dawn in every darkness, bringing hope to you and me.
From the past will come the future; what it holds, a mystery.
In our end is our beginning; in our time, infinity;
in our doubt there is believing; in our life, eternity.
In our death, a resurrection, at the last, a victory,
unrevealed until its season, something God alone can see.

“Hymn of Promise” by Natalie Sleeth


Cross at Rayne

[Rayne UMC, cross fashioned from the shattered roof, February 2006]

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April 6th, 2007


10:19 am - Passion play
One of my most cherished gifts came on my birthday in 1988. Marilyn and Bob Adams, philiosophy professors at UCLA and ordained clergy, gave me a book with the somewhat impentrable titleThe Prayer Book Office. It contains the services for Morning Prayer, Noonday Prayer, Evening Prayer, and Compline (the Daily Office) from The Book of Common Prayer, fleshed out with seasonal variations and prayers (ooh, more rubrics!). It also contains non-scriptural readings for various holy days, drawn from the Church Fathers and other divines. Here’s an excerpt from yesterday’s reading, from Gregory of Nazianzus (who was, you will likely not recall, chosen Bishop of Constantinople in 380, when a ray of sunlight fell on him on a rainy day in Hagia Sophia). Here, his approach to the Passion seems strikingly modern in the way he invites his listeners to identify with various people at the margins of the Passion narrative. (Does this owe something to his study of rhetoric?)

So let us take our part in the Passover...

If you are a Simon of Cyrene, take up your cross and follow Christ. If you are crucified beside him like one of the thieves, now, like the good thief, acknowledge your God. . . . Enter paradise with Jesus and discover how far you have fallen. Contemplate the glories there, and leave the other scoffing thief to die outside in his blasphemy.

If you are a Joseph of Arimathea, go to the one who ordered his crucifixion, and ask for Christ’s body. Make your own the expiation for the sins of the whole world. If you are Nicodemus, like the man who worshipped God by night, bring spices and prepare Christ’s body for burial. If you are one of the Marys, or Salome, or Joanna, weep in the early morning. Be the first to see the stone rolled back, and even the angels perhaps, and Jesus himself.

Current Music: J. S. Bach, St. John Passion (John Eliot Gardiner)

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April 5th, 2007


02:54 pm - This week
In addition to all the sights of New York, I picked up a nasty cold which had me out of commission most of last week. I’m feeling better now, except for not having much of a voice: I hope I get it back in time to sing on Sunday!

I returned to Montgomery to find that spring had exploded: wisteria bombs had gone off on all four sides of the house, the azaleas are out, and the taste of pollen is in the air. Between the cold air of New York and the allergies of Montgomery, my asthma doesn’t stand much of a chance.

The azaleas have been nice, reminding me a lot of Baton Rouge at this time of year. Significant differences are evident, however: the bushes are not as ubiquitous (in much of Baton Rouge, literally every house has at least one azalea bush) nor as wild (the pruned, tailored look is too much in evidence here) nor as overwhelmingly fuchsia as God intended azaleas to be.

Azaleas

Not to complain, however; they are much nicer than having no azaleas at all.
Current Music: The King’s Singers, Gesualo Tenebrae Responsories

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March 26th, 2007


09:15 am - further bites of the apple
Like the lady says: I love New York! Well, that may be overstating the case, but I've made my usual accomodation to the city. It seems I do this every trip, starting out overwhelmed by the size and complexity, then seduced by an architectural detail, a streetscape, a chance encounter or overheard conversation. Every block is practically a different neighborhood with its own rhythm, its own social microclimate. I love the fabulous detail of brickwork or sculpture or mosaic on an building that goes unnoticed amidst so many buildings. We don't love New York, I would argue, so much as we love these New Yorks, the accumulation of very local microcultures.

Being at a convention of writing teachers, as I have been, encourages viewing everything as a matter of literacy, but there are connections between my repeated efforts to know and feel comfortable with the city and the efforts that our students make to understand the complexities of the university. Taken as a whole, the unfamiliarity can be debilitating; taken a chunk (a text or a city block) at a time, these bits of knowledge can be empowering beyond themselves. '

In one of those odd coincidences that seem to happen more readily in New York, I was listening to a podcast of the public radio show THE SPLENDID TABLE from several months ago. (Yes, I came down with a cold and spent Friday night in New York City listening to podcasts in my hotel room. How sad is that?) Regular guests Jane and Michael Stern were reporting on street food in New York, specifically on the winner of the first Vendie award for the best street food in the city: a cart serving Halal Chicken with rice pilaf , salad, and a magical secret sauce. Apparently people line up for this chicken for 40 minutes at 2 in the morning sometimes, on the corner of 53rd Street and Sixth Avenue. I was about to file that away under "Useless Knowledge" until I realized that I knew that intersection, knew it very well; the cart was right across from the Hilton Hotel where the convention was taking place. When I ventured out of my room the next day and made my way down Broadway to the convention, I stopped and had a platter of the chicken —quite tasty, somehow even better for the knowledge that I had found the best street food in New York City.

This morning's trek was to the other end of that same block, where the Choir of Saint Thomas Church Fifth Avenue was singing anthems and service music by William Byrd, including portions of the Mass for Five Voices, one of my favorite things ever. I don't know that I would make Saint Thomas my home parish if I lived in New York (which, of course, I would never do; see previous post), it is certainly a high point of ant visit. At the risk of forcing a metaphor, this is my New York, the best street food on one corner, the most sublime music on the next, the best of immigrant cultures on the East Side at $5 a plate, no charge for the music. By my count, that's one block down, 9,999 to go.
Current Mood: worn out
Current Music: Madonna, “I Love New York”

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March 21st, 2007


05:36 pm - a west side story
My ongoing confusion about New York City continues. Founded in media images, enhanced by sporadic visits over the years, I always have trouble coming to a coherent view of the city's complexities. I would never, ever live here. Too big, too impersonal, too draining. i always think of that wonderful song from COMPANY, “And another hundred people just got off of the train.”

My very first trip to New York in college was like visiting OZ. I remember seeing Central Park from the plane, walking the streets of the Village, touring the UN: Emerald City all in one bright shiny package. There’s Christopher Street! There”s the Empire State Building! I wonder how you get to the Statue of Liberty?

On the drive in from Newark today, I kept hearing the theme from The Sopranos in my head. The driver headed past Ground Zero (such a small place to hold so much meaning) and around the tip of the island. Shuttle companions included Carrie Underwood's dentist from Oklahoma and his daughter, here on a senior trip. As we crawled through midday Midtown traffice (matinee day, the driver informed us), I remembered how much I hate the city and its bigness and busy-ness and tough-it-out attitude. And maybe that concentration of humanity is what you need to produce such a world capital with so much power and so much talent. And you couldn’t pay me enough to live here. And another hundred people just got off of the train.

But here behind Lincoln Center in this odd little studio apartment/hotel place, it’s quiet and the birds sing, and the people on the street look more familiar and they aren’t media moguls or society hostesses or Broadway producers. And they don’t want us to call it Hell’s Kitchen any more, because for blocks and blocks and blocks old New York is all gone, replaced clean housing towers and corner grocery stores tucked into the basements of office buildings.

There’s a Whole Foods Market in the shiny new building at Columbus Circle and it’s easy to find because every third person on the street this afternoon is carrying home groceries from there.

Tonight I’m going to see a show (The Drowsy Chaperone) and I will, mark my words, be sucked into the whole damn romantic theatre-city madness of it all gain, I suppose. But I would never, never live here. And another hundred people just got off of the train.

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March 18th, 2007


06:26 pm - blog-fast
So. I didn't consciously give up blogging for Lent. I got hung up on writing a nice wrap-up piece on Carnival (theme - ordinary people), then started working on the 2 New Orleans presentations for church and my paper for CCCC in New York this week.

But it's been good to shake up my work habits a little bit, in hopes of being more productive, so I may stay away for another few weeks.

Rose vestments
(Rose vestments, All Saints Church, San Diego)

Since this is mid-Lent, or Laetare Sunday, or mi-carëme, on which Lenten restrictions are lightened a bit, I’ll pop in here for this update, and nibble on a little chocolate. Unfortunately (or fortunately) the Thin Mints arrived just as my chocolate-free Lent was starting up. Perhaps John has left me a few? I don’t think we have any rose-colored vestments lying about, though.

Spring is upon us here in the South and it’s wonderful, extravagant, surprising, full of color and life and pollen. Spring in Michigan lasts only a few weeks, it seems, between the last frozen claw of winter and the sudden maturity of summer. I’m missing the azaleas in Baton Rouge this week, but I have hopes of even more color here in Montgomery.

Oh, and the Tar Heels are in the Sweet Sixteen again. Very sweet.!

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March 3rd, 2007


04:42 pm - jazz brunch, mun’gumry style
For all my readers in the Montgomery metroplex, I’m giving my BLUES FOR NEW ORLEANS presentation tomorrow at 8:15 a.m. at All Saints’ Episcopal Church, 645 Coliseum Blvd. The early time was thought (not by me) to be the most advantageous time to draw a larger crowd.

Also, because there was talk of pepping up the rector’s famous microwaved eggs with ham and parsley (yes, both!), I’ll be providing some grillades and grits.

The next Sunday (March 11, same Bat-time, same Bat-channel), I’m doing the second post-K presentation: WHAT THE RIVER HAS DONE, which looks at various narratives we use to talk about Katrina. Menu suggestions welcomed.

EDIT: The full titles are “Blues for New Orleans: Traditional Music and the Soul of the City” and “‘What the River Has Done’: Storms, Stories, and the Future of New Orleans.”

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February 20th, 2007


10:09 am - fantasy in a fright wig
from Before: Phil Johnson’s classic Mardi Gras editorial on WWL-TV

-- And what else is there to talk about except that which everybody else is talking about…of course, Mardi Gras.

It's that time again: that wonderful, crazy, colorful, crowded, happy, mixed-up but glorious time when all New Orleans forgets itself for a day, lets its hair down, puts on a rubber nose, a funny hat, and walks around laughing at the silly people in their crazy costumes.

It's a day for contrasts…a day for change.

A day when legions of quiet, timid, introspective little men forsake their cashier's windows and their neat clerk’s desks, put masks across their faces, and suddenly become Don Juan.

A day when a secretary can become Queen of England…a housewife, Annie Oakley.

Mardi Gras is fantasy in a fright wig, reality with a burnt cork on its nose, a dream with a scepter in its hand, and pompousness about to be punctured.

Mardi Gras is fun and laughter, vulgarity and coarseness, color and light, and at the end, quiet.

Mardi Gras is a state of mind, an attitude, a pose, an opinion. But at its most basic…and perhaps satisfying of all, Mardi Gras is the one day in the entire year when New Orleans can tell the world:

"We're going to have fun!" And we do.

Current Mood: festive
Current Music: Dr. John, “Mardi Gras in New Orleans"

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